sarah edwards

Poetry

• "One possible implication" (The Southern Humanities Review)

• "Emily" (Ninth Letter)

• "Retrospect" (The Sycamore Review)

• "How to Change a Tire" (Typo Mag)

• "Man on Phone at Gas Station" (Hobart)

• "The Visit" (Prelude)

• Rachel Eats the Nasturtium" (Prelude)

• "Olive," "Esau," Route" (The Carolina Quarterly)

• "A Line Prayer" (No Tokens)

• "Vespers" (Brink)

• "Weekend," "Angel Food Cake," "Field Recordings" (Annulet) 

• "Fable" (The Yale Review) 

• "In South Carolina, Outside the Party" (Commonweal) 

• "Plot" (Casserole Series Journal)  

• "Transit," "Heat Wave," "Charlotte" (Community Mausoleum / Coma Journal ) 

• "After the Alice Neel Exhibit," "High Tide" (La Lancha / New Mundo)

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Fiction

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• "Dead Dog" (Subtropics)

• "Neighbour" (The Stinging Fly)

• "Driving to Ithaca" (The Southeast Review)

• "Certainty" (Joyland)

• "About Dust" (Joyland)

• "Rabbits" (Angel Food Magazine)